Interview: Nifra Unleashes “Rampage” out on the Dance Floor

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Since Nifra kicked off her DJ career back in 2008, she has played alongside and supported such acts as Markus Schulz, Armin van Buuren and Tiesto to name a few, which lead to her becoming quickly recognized as a massive talent. This progressive trance mastermind has really exploded after signing with Coldharbour Recordings. Recently, I had the opportunity to ask the “Queen” of Coldharbour a few questions.

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What has been your most memorable show so far that you’ve played with other artists from Coldharbour and Markus Schulz? What made this show stand out to you more than the others?

Definitely the Coldharbour Night at Club Space in March during the Miami Music Week. You know, all of the Coldharbour guys were there and Markus as well. It was like a family gathering. It was my debut and I remember sitting in a car on my way to the club driving through beautiful Miami at night and it felt a little surreal. At that point I didn’t even know how good the gig was going to be. I was completely surprised by the crowd, really amazing energy and was just really grateful that I got to be part of such an amazing night.

You have reached episode 100 in your ‘Be Progressed’ radio show. How does it feel to hit a milestone like this? Will you miss this project since deciding to end it?

It’s crazy, I started the radio show when I just turned 19 so I felt that after 8 years its time for something new and fresh. Eventually I decided that the 100th episode would be the last one. I will definitely miss it, as it represents a lot of important years in my career but I will be also busy with a new project. 😉

Recently “Rampage” was released, what was the inspiration for this track? Are there any new tracks or collaborations you are working on now?

Danny (from Tucandeo) and I were talking about doing a collaboration for quite some time. We started to work on something 2 years ago but I guess the timing just wasn’t right. They were into more deeper prog trance so now that Danny started a new project called Artisan with a more aggressive sound it was just a matter of time till we make a track together. When Danny sent me a demo of what eventually became Rampage I was like, yeah this is the one. I asked him for parts and immediately started to work on it. I really enjoyed collaborating with him and this is probably not our last one as the feedback on Rampage has been totally overwhelming. I have a lot lined up, some more secret collabs, singles and a remix. Stay tuned 🙂

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Your sound is very unique, can you describe what’s included and what is not included that creates your Coldharbour sound?

My sound evolved throughout the years just as the Coldharbour sound did and I tend to describe it as progressive trance with balls. I just really like energy in combination with the deeper basses and huge leads and that’s what I always try to achieve in my productions.

What was the dance music scene like in Slovakia when you started compared to how it is today?

Just like everywhere else the dancing music blew up into the mainstream in the recent years but when I started to go to clubs when I was 16, there was already a pretty good underground scene, mainly techno and house events with a couple of thousand of people in attendance. Trance was not popular at all, usually we got side stages at parties, if we were lucky. Nowadays trance and house events are filling up the halls and clubs and techno is nowhere near its peak like it was in the past. I’m glad I have experienced both periods in Slovakia.

You’ve been touring a lot this year, what’s it like to be on the road so much?

Honestly I love it! I’ve always enjoyed travelling anyways so performing, seeing different countries and meeting people from all over the world is really inspiring and I’m really thankful for all those experiences. You know there are jetlags and long hours in the airplanes but you forget it all once you get up on the stage and see all the smiling faces.

What club and festival would you like to play that you have not yet?

There is so many places I haven’t visited yet. I’ve heard a lot about the crazy South American crowd, so this is on my to do list, China would be cool to experience, Japan, Australia. So probably clubs or festivals in those countries.

Have you attended any music schools to learn how to produce, or you are self-taught? What program for production do you prefer to use?

Unfortunately I haven’t attended any music school. Back when I started to dig into music production there were no schools in Slovakia and I think there are still no schools for electronic music production down here. So the only option I had was to just learn it myself. I’ve always been a nerd since i was little when it came to education so I enjoy learning new things and I don’t give up. A couple of years back I attended piano classes for one and a half years, but that’s about it as far as the education goes, everything else is self taught. For production I use Ableton 9, and it is my go to software for basically everything including mixes and edits.

Obviously you have a huge passion for trance, are there any other genres that you enjoy?

I’m a music lover and I try to have open mind because if you don’t you might miss a lot of great music out there. I love electronic music in general (and not just electronic) and the artists that I usually play on my iPod besides trance are Guy J, Kolsch, Com Truise, Nero, etc. So its really a fusion – vast spectrum of different genres from progressive house through synth pop to drum n bass as long as the music expresses some kind of emotion.

What was the reason you began producing music and DJing? Who has been your biggest inspiration so far through out your career?

It all started with ATB when I was 13 years old. You know music channels like Viva and MTV were full of the euro trance videos and ATB stood out because of the emotion in his music, I was totally captivated by it. It eventually developed into obsession with electronic music. Step by step I discovered a lot of artists and got trapped in the progressive trance genre which was obviously ruled by Markus Schulz. It somehow just felt right for me and consequently my production has been inspired by Markus Schulz and the Coldharbour sound ever since.

I know this next question may be difficult considering how many talented artists there are, but who would you say is your favorite artist at the moment?

I really can’t say one favorite artist. If you check my live sets you will know who are my favorites immediately. 😉

Follow Nifra
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Interview: Markus Schulz Visits Kansas City

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Markus Schulz is a legend, to say the least. The DJ producer has been making music for over 20 years with unique sounds mixed from progressive, house, and trance.  Schulz has played everywhere from small club venues to the largest music festivals the world has ever seen. Kansas City was fortunate to have Markus Schulz stop by for a visit, where he headlined the show last Friday June 5th with resident DJ Eric Coomes opening up at Moscaic Night Club, which is located in the Power & Light district downtown.

We were fortunate to be able to sit down with him for a few minutes before he hit the decks and ask some questions.

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Did you ever imagine yourself being anything other than a DJ? 

Not sure about being a DJ, but music ever since I was young has been my passion. I was into sports when I was really young.. any young kid wants to be a professional athlete.. but when reality hits that you don’t have that killer instinct, then my other passion kicked in and that was music. From there, it led me to DJing. The first time I was behind the decks, I was like “Oh my god, this is right here is what I’ve been put on this earth for!” I just felt at peace.

What genres and artists influenced you early on in your career?

Early on, I was DJing in the top 40 clubs and then in gay clubs because I got so sick and tired of the top 40 clubs. When I was coming up and learning my way, my friends who were also DJs were playing underground music and they would tell me stores about Larry Levan who was a DJ at the Paradise Garage. They would tell me stories about how Larry was and in my mind I imagined and drew this picture of Larry Levan and that is what was my inspiration. I never met him or heard him play, but the stories I heard about him are what inspired me. I drew my own set in my head about what it must be like to hear him and that was my goal… to be able to do things that he did.

We are looking forward to your next city series tracks. What other cities can look forward to getting a track dedicated to them?

London is the next one and I’ll play that one tonight. It’s going really well. The funny thing is it’s just like, the idea is, I just want to make tracks that destroy the floor and rock the place and kind of really cater it to the certain clubs that I’m playing at or the venues. For example, Indio is not a typical Markus Schulz track, but it was for Coachella. At the same time, now when I play Indio, people go absolutely crazy. Bine Facut is the same thing. Bine Facut is a track that I made for my show in Romania in Bucharest. At first everyone was like oh… but now every time I play it, people go crazy. The idea is, individually these songs are like just tracks… but when you put them in the context of a set.. and I think that’s what the art of DJing is. The track, the way that I program it, the way it just kind of evolves into that riff, it works. It’s like all these tracks are like some of my biggest tracks in my set.

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What’s the weirdest thing you’ve ever asked for on your rider?

Gummy bears. It was funny because my rider was always low key… and then I started touring with Ferry and Ferry has gummy bears on his rider. I’d go into the dressing room and there was always gummy bears and I was like “oh my god, why didn’t I think of that?” So now, there are gummy bears on my rider.

Have you ever heard a track and thought, “Man, I wish I had come up with that!”

All the time. All the time. You know, that’s the biggest compliment… when you hear a track and you think, “Oh, I wish I had come up with that.” For example, Ferry’s new track “Reborn”. It was like that.. when I first heard it.. I was like everything we like.. our whole New World Punx philosophy.. it’s all there.. “damn, I wish I would have thought of that stuff.” That’s what inspiration is. You hear it.. you might be down, like oh, I got nothing, I’m empty and then all of the sudden you hear a song and you are like oh my god, and everything starts up again.

What cities do you look forward to going back to? What’s your favorite?

It differs. Some cities go through cycles of change. I’ve always looked forward to going down to South America. I’ve always looked forward to going up to Toronto, Montreal, NYC, LA… in Europe, London obviously. There’s a lot of cities that are fun like that. The one thing that I’ve kind of.. it’s a new era for me kind of… because now I’ve gone to these cities many times. Now I’m starting to explore the cities, take extra days and stay there. Asia was always like this enigma for me. I always went to Asia and I never got to do much in Asia because I was always so jet lagged. It’s a 12 hour time difference, you get there and you’re just like sleep walking through your sets. For the last few times, for the last year we’ve gone to Asia we’ve gone on a whole Asian trip for two weeks. It takes a week, you get accustomed to the time, and all of the sudden you start exploring around Asia and now it’s like I’m really fond of just… not necessarily the clubs, but the food… oh my gosh, the food. India is another example. India has always been a country where it’s like get in and get out. We went to India on the last tour, and when Ferry and I went in December we spent some extra days there… had the food and I think that’s kind of where I’m at now.

Yeah! I think we saw on your Snapchat that you went to see some sites. 

Exactly! We went to see the Taj Mahal, the Great Wall of China.. I’m really starting to enjoy going to these cities and spending time there. Like I said, when you first start doing this, the idea is get in and get out because you don’t know the promoters, you don’t know anything… you don’t want to spend a week or a few days at a place not knowing anybody. Now, it’s like we’ve been going to these countries many times and so we go for a few days and visit.
(You can follow Markus’ adventures on snapchat, username markuschulz)

When all the partying stops, how do you chill out and relax?

I love sports. For example, last night I watched the NBA finals. That was fun to watch, then the finals ended and it was like alright, let’s jump in the shower, let’s get ready to go to Sutra. I do little things like that. I like to ride my bike, play baseball, just active things. I love doing that kind of stuff.

Follow Markus Schulz
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Interview: Getting to Know Fisherman & Hawkins, From Hardstyle to Trance

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I don’t remember the first time I heard the hypnotizing synth and heart thumping bassline of Fisherman & Hawkins’ “Apache”, but I will say that I feel in love with their sounds from that moment on. Being an avid listener to the harder style of trance, Fisherman & Hawkins’ music was like bread and butter to my ears from the very first moment on. Even today when I would hear the slow but hard progressive beginning of a Fisherman & Hawkins’ song at a show, I will burst in excitement and jump up and down, all around the dance floor.

Isaac Vissers and Rob Koopmans are the two gents from Venlo, Southern Netherlands, behind the name Fisherman & Hawkins. I got an opportunity to send these two some questions to get to know them a little better.

Fisherman&Hawkins

 

How did you two meet? And how would you describe your relationship? Is it like two bros chilling producing music, or more like the ‘Odd Couple’?

We actually met for about 10 years ago or something. We both went to the same parties all the time at Perron55 in our hometown, a club that is now closed since late 2014. It didn’t matter if it was techno, trance or any other dance genre. Most of the times we were both there with friends and as you know, music connects people. We were both DJs already in that time. I (Isaac) played progressive and trance and Rob played tech house and techno. We both share the same kind of humor so a good friendship was born right away haha.

How did it feel like when Fisherman & Hawkins started to get noticed after the success of “Apache”? Did it feel like Fisherman & Hawkins as a trance name has made it big or is there still a lot more room for exposure?

The success of that track was kinda unexpected to be honest. Although we have to say that the melody was so addictive when we played it in the studio, we couldn’t get it out of our heads for days. And as soon as such things happen you just know it’s something special. When we got a reply from Markus, after sending it to Coldharbour Recordings, saying he absolutely loved it, we still didn’t know what to expect until all the madness started when he played it as an ID for months in his sets. The reactions were huge and everyone wanted to know what it was haha. After its release it was crazy to see how many A list DJs played it out, even today the track does the job when Markus or Armin drops it somewhere. Really overwhelming to see that.

What drives you as a DJ/pushes you to play the songs you play and produce the music you do? What kind of feelings do you get when you play a gig? Is there a difference when you play for a packed club? Or how about a half filled club but filled with fans of Fisherman & Hawkins?

We love to make and play energetic pounding tracks. Maybe because we are already DJs for about 15 years and attending parties ever since then makes us understand what kind of grooves and melodies could work on the dancefloor, I don’t know. In the past we went to hardstyle, hardcore, hardtrance, techno, trance and house parties and you might say you can hear all these influences in our music too.

Of course it’s always nice to play in a packed club, especially if the crowd is already warmed up and ready for yet another adventure of slamming beats. But we also love to play open to close sets as well where you can see the audience coming into the club and slowly getting into a certain vibe. On those nights we play a lot of different stuff and like to play deep progressive and techno tracks too. Taking the crowd on a journey is so much fun as you have all the time to build things up and bring everything to one big climax.

I know that making art, especially music, is difficult, but how does the magical music happen? Does one of you guys create a beat or an idea and send it to one another? Or do you two have to be in the same room so that your music can manifest and grow?

I (Isaac) make most of the ideas like the melodies, chords, grooves, etc and every now and then Rob joins me in the studio and has fresh new ideas about how to get the best out of certain things. After we have made all the basics we sit down with a good friend of us and build the entire arrangement of the track. This is the moment where the magic happens.

I just listened to your guys opening set for Ferry Corsten, it was much more uplifting than your past ASOT set or your Coldharbour Night sets. How do you two decide on what type of music to play? Does country or different region of a state/country have a particular role in this track selection?

Funny you noticed this haha. In a way you are right, that set is slightly different from what we usually play. But as we had to play right before Ferry Corsten, who was the headliner that night in Grenswerk we felt it wouldn’t be the right place to play as aggressive as we normally do. For that reason we played a little bit more uplifting or proggy, and we actually loved it. It was perfect for that night. We even had the chance to record it and the set blew up when we uploaded it later on our soundcloud page.

I saw that in an interview, you two have some roots or interest in hardstyle and hardcore before settling into trance with Coldharbour label boss, Markus Schulz. Is there some chance the Fisherman & Hawkins sound might have a shift to some harder and darker side of electronic music? Perhaps under a different alias?

Haha yes that’s true. We both have a history with hardstyle and hardcore. Especially hardstyle is a style we were both completely in to from 2000 till 2003 or so. If you listen to Qlimax compilations from that time, especially the ones from Dana (early 2001) and Pavo (late 2001) you can hear a lot of darker sounds but always with a special vibe in it. Hardstyle or hardhouse/hardtrance, whatever you wanna call it, was totally different back in the day. Almost every track had a unique sound, a unique kick, bass or loop. It was fresh and mindblowing. But after 2002, hardstyle began to sound like slow hardcore and we started to get bored of it all. So, we enjoyed those times but I don’t think we will re-enter that specific genre any time soon haha.

How do you find tracks for your podcast? Since there are two of you, who has the final say in Fisherman & Hawkins?

We both download and gather all the tracks we like that enter our promo inbox. And of course we also check Beatport every week to see what we’ve missed ourselves haha. As you might know we like to start our radio show with a deep vibe and we build up the tempo halfway during the show. The radio show is a perfect platform to play what we love and gives us the chance to play some tracks we normally don’t get to play out during peak time sets because of the style.

I got to say, I love the track “Skypunch” and “Underworld”. Are there any new tracks from Fisherman & Hawkins in the works that fans can look forward to in the coming months? Should we expect some stuff that might be a little different?

Well thank you. Of course you can expect a brand new single real soon that is in that same fist pumping style. As well as a remix we did of a track we were super excited and honored for when we received the request. Besides this we are also working on a couple of vocal tracks that will absolutely blow your mind haha.

Since festival season is rapidly approaching us, is there any big festival you would like to play at or will be playing?

On July 19th we will play at Harbour On The Beach at Beachclub in Montreal, Canada. When you see the complete line-up filled with Coldharbour artists you just know it’s going to be a mental ride with lots of hands in the air.

We also just announced that we will be playing on Ibiza for the first time this year. Markus Schulz invited us to join him at the amazing Privilege this year together with our good friends Nifra and Mr. Pit. No doubt that night is going to be one for the books.

What’s your guys’ favorite/most embarrassing moment as Fisherman & Hawkins?

Most favorite moment is definitely playing at the legendary Club Space in Miami earlier this year. Sharing the stage with Markus Schulz and all the other Coldharbour friends was an experience we will never forget. And of course our set at ASOT650 last year is unforgettable too. So many great artists were there at the same time. Amazing night.

So far no embarrassing moments that we can share, maybe if you’d ask us again in a few years we can give you some haha.

What are some things you two do to take your mind off music? I see that on your Facebook, you used one of Jimmy Tatro’s videos about missing the beat to promote the “United” single release. Quite funny. Your Twitter also has some funny memes. So is it safe to say that when you guys aren’t making music or playing a show, you like to troll the internet for some giggles?

We both like to entertain. Wether it’s with music or with humor. Both are important pieces in life and can’t be missed. While Rob enjoys a good sports game every now and then I (Isaac) take my mind off from music by enjoying some spare time with my kids. They can suck out a lot of energy from time to time but so can sports haha. Let’s just say it keeps you young, right? 😉

Outside of trance, what kind of music do you listen to? Is there anything you listen to that isn’t part of the electronic genre?

Of course! We like all kinds of music. From Coldplay to London Grammar and from the Foo Fighters to our very own Dutch rock band Kensington. As long as it’s catchy and euphoric we are into it.

 

These two gents sound like a fun bunch. Not only do they mean business, but they also have time to play. I can’t wait to hear what fist pumping sound these two will produce in the near future. Whatever it is, I’m sure they will still continue to carry the same aesthetics that makes them Fisherman & Hawkins and a Coldharbour favorite.

Follow Fisherman & Hawkins
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Review: Markus Schulz “Golden Gate (San Francisco)”

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San Francisco is the third city to be a part of the Markus Schulz’s City Series compilation. “Golden Gate” is the title of the track dedicated to the beautiful city of San Francisco- which holds a rich history of love, progress, and the keys to the future as tech geniuses continues to innovate the world and its technologies.

Following its predecessor “Bine Facut,” “Golden Gate” holds its own with a different and unique sound that is equivalent to “The City” of San Francisco. The track starts off with your classic Markus kick drums to invoke an energy and then it drops you into a soothing melody that lifts you up and down, ride after ride of euphoric feels. Its symmetric pounding basslines accompanied with a relaxing synth provides the right amount of groove for a groovy San Francisco.

As the track vibrates through my ears, I can’t help but picture myself flying down Market St. and up through Chinatown, across North Beach and the historical Fishermen’s Wharf and above the Golden Gate Bridge, then reaching the final destination of our Golden Gate tour, Ruby Skye: a prominent club Markus has spun at many times.

The combination of the house beats blended with elements of trance is of perfect balance. When Markus first debut this track in late March at Ruby Skye, I couldn’t help but be transported through time; relieving my memories of all the past times I’ve been able to witness Markus Schulz live at the iconic venue.
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If “Bine Facut” translates into ‘well done,’ then “Golden Gate” must translate into ‘love’ …because that is what I feel when I hear his San Francisco tune.

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Markus Schulz “Golden Gate (San Francisco)” is available via Coldharbour Recordings
Beatport: bit.ly/clhr204bp
iTunes: bit.ly/clhr204it
Spotify: bit.ly/clhr204sp

Follow Markus Schulz
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Contest: Win VIP tickets Plus a Meet & Greet at Coldharbour Night Fresno / Hot Summer Nights

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Win a Pair of VIP Tickets Plus a Meet & Greet for You and a Friend with Coldharbour Recordings Artists M.I.K.E. Push, Mr. Pit and Beat Service at Hot Summer Nights on Saturday, July 11th at the Fresno Fairgrounds.

The contest is pretty simple. Each like, follow, tweet gives you an entry into the contest. You don’t have to select them all, it’s just less entries. Contest ends on July 8 and two winners each with a +1 will be chosen at random on July 9.

If you don’t want to wait to find out if you’ve won, you can buy tickets here!

Win VIP tickets Plus a Meet & Greet at Coldharbour Night Fresno / Hot Summer Nights

Contest: Win a Meet & Greet at Coldharbour Night SF with KhoMha, Grube & Hovsepian and Mr. Pit

Contests, , , , , , , ,

Win a pair of tickets and a meet & greet for you and a friend to Coldharbour Night SF on Friday, June 12th at Ruby Skye!

The contest is pretty simple. Each like, follow, tweet gives you an entry into the contest. You don’t have to select them all, it’s just less entries. Contest ends on June 10 and three winners each with a +1 will be chosen at random on June 11.

If you don’t want to wait to find out if you’ve won, you can buy tickets here!

Coldharbour Night SF Meet & Greet with KhoMha, Grube & Hovsepian and Mr. Pit

Video: Markus Schulz featuring Delacey “Destiny”

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Markus Schulz’s latest track “Destiny” features the beautiful tantalizing vocals of Delacey, ethereal synths plus a pulsating bassline. It was debuted as an ID during Markus’ open to close solo sets in December at Pacha in New York City and on New Year’s Eve at Space Miami. The track was finally revealed during his February 19th episode of Global DJ Broadcast.

“How to describe Destiny? When I first heard Delacey’s vocal, it was as if it was a one-to-one conversation with my soul; it resonated immediately. So the most important thing for me was to build the musical elements that would carry the emotion through to every single person who would hear it. I have been road-testing it since my solo sets in New York and Miami during the Christmas period, and the amount of messages on social media asking me about the identity was overwhelming. I think that it’s going to be one of those special legacy tracks for me; something that connects people of differing countries and boundaries. When I put the track in Global DJ Broadcast for the first time, I still got goosebumps even though I had listened to it over and over for months. So I hope it’s something that the fans will embrace for a very long time.” – Markus Schulz

After the world premiere of the track the response from fans from around the world has been nothing short of overwhelming. This is a track that will quickly be on repeat and you’ll soon find yourself singing along to the haunting vocals that are sung by Delacey.  The storyline of the video follows a guy and a girl who are going about their daily lives. They don’t seem to realize that they’re meant for each other until that moment when destiny strikes. Then they can’t stop thinking about each other. Where do things lead to from there, you’ll just have to see for yourself!

“Destiny” was released on April 6, 2015 and is currently #1 on Beatport Trance Top 100. The full 10 minute track is available here.

“Destiny” by Markus Schulz featuring Delacey – Lyrics

Hello, how did you find me?
Where have you been hiding?
I know, that you remind me
This fire inside me

Feels like we met somewhere before
Saw you, my heart just hit the floor
This time I’m following the signs
This moment could flash before your eyes

So if we just can’t get it right
Then maybe we’ll try in another life
If I died in your arms tonight
Then baby I’ll see you on the other side

So if we just can’t get it right
Then maybe we’ll try in another life
If I died in your arms tonight
Then baby I’ll see you on the other side

So alone, that I’ve been waiting
I’ve been, anxiously patience for
Our love to rule the nations
The future is what we are facing

What if we choose to turn the page?
Will that lead to the end of days?
That’s why you are the missing piece
Theres no way to run from destiny

So if we just can’t get it right
Then maybe we’ll try in another life
If I died in your arms tonight
Then baby I’ll see you on the other side

So if we just can’t get it right
Then maybe we’ll try in another life
If I died in your arms tonight
Then baby I’ll see you on the other side

So if we just can’t get it right
Then maybe we’ll try in another life
If I died in your arms tonight
Then baby I’ll see you on the other side

Contest: Win a Meet & Greet with Mr. Pit at Slide SF

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Here’s your chance to win a meet & greet with Mr. Pit at Slide SF on Friday, March 27th!

The contest is pretty simple. Each like, follow, tweet gives you an entry into the contest. You don’t have to select them all, it’s just less entries. Contest ends on March 25 and two winners each with a +1 will be chosen at random on March 26.

If you don’t want to wait to find out if you’ve won, you can buy tickets here!

Meet & Greet with Mr. Pit